Multiple Grammy Award-winning conductor JoAnn Falletta serves as Music Director of the Buffalo Philharmonic, and the Connie and Marc Jacobson Music Director Laureate of the Virginia Symphony, Principal Guest Conductor of the Brevard Music Center and Artistic Adviser to the Hawaii Symphony. She was recently named one of the “Fifty Great Conductors,” past and present, by Gramophone Magazine, and is hailed for her work as a conductor, recording artist, audience builder and champion of American composers.
Upon her appointment as Music Director of the Buffalo Philharmonic, Falletta became the first woman to lead a major American ensemble and has been credited with bringing the Philharmonic to an unprecedented level of national and international prominence. The Buffalo Philharmonic will celebrate many living American composers this coming year including Adolphus Hailstork, Gabriela Lena Frank, Kenneth Fuchs, David Ludwig, Carlos Simon, Jonathan Bailey Holland, Russell Platt, Daron Hagen, Jessie Montgomery, Michael Tilson Thomas, and Wang Jie.
Her recent and upcoming North American guest conducting includes the National Symphony, and the orchestras of Detroit, Nashville, Indianapolis, Houston, Toronto, Milwaukee, and Orchestre metropolitain. Internationally, she has conducted many of the most prominent orchestras in Europe, Asia, and South America. This season she is looking forward to guest conducting appearances in Canada, Poland, Sweden, and across the US.
With a discography of over 120 titles, Falletta is a leading recording artist for Naxos. She has won two individual Grammy Awards, including the 2021 Grammy Award for Best Choral Performance as Conductor of the world premiere Naxos recording, Richard Danielpour’s The Passion of Yeshua. In 2019, she won her first individual Grammy Award as conductor of the London Symphony in the Best Classical Compendium category for Spiritualist, her fifth world premiere recording of the music of Kenneth Fuchs. Her Naxos recording of John Corigliano’s Mr. Tambourine Man: Seven Poems of Bob Dylan received two Grammys in 2008. Her 2020 Naxos recording of orchestral music of Florent Schmitt with the Buffalo Philharmonic Orchestra recently received the Diapason d’Or Award. Her upcoming releases for Naxos include the complete William Walton Façade, with narrators Kevin Deas, Hila Plitmann and Minnesota Public Radio Host Fred Child, and the Virginia Arts Festival Chamber Players. The recording released in the spring of 2022, will introduce material never heard before, and mark the 100th anniversary of William Walton’s youthful masterpiece. 2022 also saw the Naxos release by the BPO of Poem of Ecstasy by Scriabin.
Falletta is a member of the esteemed American Academy of Arts and Sciences, has served by presidential appointment as a Member of the National Council on the Arts during the Bush and Obama administrations and is the recipient of many of the most prestigious conducting awards. She has introduced over 600 works by American composers, including well over 150 world premieres. In 2019, JoAnn was named Performance Today’s Classical Woman of The Year, calling her a “tireless champion, and lauding her “unique combination of artistic authority and compassion, compelling musicianship and humanity.”
Falletta is a strong advocate and mentor for young professional and student musicians. She has led seminars for women conductors for the League of American Orchestras and established a unique collaboration between the Buffalo Philharmonic and the Mannes College of Music to give up-and-coming conductors professional experience with a leading American orchestra. In 2018, she served on the jury of the Malko Competition in Denmark. She has had great success working with young musicians, guest conducting orchestras at top conservatories and summer programs such as the National Repertory Orchestra, National Orchestral Institute, Interlochen, and Brevard Music Center, and as Artistic Advisor at CIM.
Falletta has held the positions of Principal Conductor of the Ulster Orchestra, Principal Guest Conductor of the Phoenix Symphony, Music Director of the Long Beach Symphony Orchestra, Associate Conductor of the Milwaukee Symphony Orchestra, and Music Director of the Denver Chamber Orchestra and The Women’s Philharmonic.
After earning her bachelor’s degree at Mannes, Falletta received master’s and doctoral degrees from the Juilliard School. When not on the podium, JoAnn enjoys playing classical guitar, writing, cycling, yoga and is an avid reader.
Franco-Belgian cellist Camille Thomas has been making music with radiant, instinctive joy since the age of four. Her deeply expressive performances—marked by a rare blend of technical refinement and emotional immediacy—have made her one of the most compelling artists of her generation. Whether exploring the most sorrowful corners of a score or illuminating its brightest moments, Camille brings an unmistakable sincerity and intensity that resonates with audiences worldwide.
Highlights of the 2025–26 season include performances with the Rundfunk‑Sinfonieorchester Berlin and Katharina Wincor, Orchestra della Svizzera italiana with Juanjo Mena, Taiwain Philharmonic with Michael Sanderling, Japan Philharmonic Orchestra with Junichi Hirokami, Residentie Orkest with David Danzmayr, Bochum Symphony Orchestra with Gemma New, and a five-city tour with Euskadiko Orkestra.
Previously Camille has appeared with numerous internationally renowned orchestras including ORF Radio Symphony Orchestra Vienna, National Symphony Orchestra Ireland, Hong Kong Philharmonic, Tokyo Symphony Orchestra, Nagoya Philharmonic, Istanbul State Symphony, and Korean National Symphony Orchestra.
Since signing exclusively with Deutsche Grammophon in 2017, Camille has released a number of critically acclaimed albums. Voice of Hope (2020) features the world-premiere recording of Fazil Say’s Never Give Up, composed for her in the wake of the terror attacks in Paris and Istanbul. The album, released in partnership with UNICEF, reflects Camille’s belief in the power of music to offer hope and healing. Her follow-up album, The Chopin Project (2021), recorded in Paris and Warsaw during the pandemic, was praised for its lyrical intensity and emotional honesty.
Born in Paris in 1988, Camille studied with Marcel Bardon before moving to Berlin to work with Stephan Forck and Frans Helmerson at the Hanns Eisler Hochschule für Musik. She later continued her training with Wolfgang‑Emanuel Schmidt at the Franz Liszt Hochschule für Musik in Weimar.
