Ken Lam is director of orchestral studies at The Tianjin Juilliard School and resident conductor of the Tianjin Juilliard Orchestra. He is artistic adviser to the Illinois Symphony Orchestra, resident conductor of the Brevard Music Center in North Carolina and serves as artistic director of Hong Kong Voices.
Lam was music director of the Charleston Symphony Orchestra from 2015 to 2022 and music director of Illinois Symphony Orchestra from 2017 to 2022. Previously, Lam also held positions as associate conductor for education of the Baltimore Symphony Orchestra, assistant conductor of the Cincinnati Symphony Orchestra, and principal conductor of the Hong Kong Chamber Orchestra.
In 2011, Lam won the Memphis Symphony Orchestra International Conducting Competition and was a featured conductor in the League of American Orchestra’s 2009 Bruno Walter National Conductors Preview with the Nashville Symphony. He made his US professional debut with the National Symphony Orchestra at the Kennedy Center in June 2008, as one of four conductors selected by Leonard Slatkin. In recent seasons, he led performances with the symphony orchestras of Cincinnati and Cincinnati Pops, Baltimore, Detroit, Buffalo, Memphis, Hawaii, Brevard and Meridian, as well as the Hong Kong Sinfonietta, Hong Kong Philharmonic, Seungnam Philharmonic, Guiyang Symphony, and the Taipei Symphony Orchestra.
In opera, he directed numerous productions of the Janiec Opera Company at Brevard and was assistant conductor at Cincinnati Opera, Baltimore Lyric Opera and at the Castleton Festival. In recent seasons, Lam led critically acclaimed productions at the Spoleto Festival USA, Lincoln Center Festival and at the Luminato Festival in Canada. His run of Massenet’s Manon at Peabody Conservatory was hailed by the Baltimore Sun as a top ten classical event in the Washington D.C/Baltimore area in 2010.
Lam studied conducting with Gustav Meier and Markand Thakar at Peabody Conservatory, David Zinman and Murry Sidlin at the American Academy of Conducting at Aspen, and Leonard Slatkin at the National Conducting Institute. He read economics at St. John’s College, Cambridge University and was an attorney specializing in international finance for ten years before becoming a conductor.
Lam is the 2015 recipient of the Johns Hopkins University Alumni Association’s Global Achievement Award, given to individuals who exemplify the Johns Hopkins tradition of excellence and have brought credit to the University and their profession in the international arena.
Sophia Liu’s most recent season opened with her NHK Symphony debut in Tokyo and Osaka, where she performed Saint-Saëns’s Piano Concert No. 2 under the baton of Eva Ollikainen. Further highlights in the season included recitals at the Konzerthaus Berlin, Festival Radio France Occitanie Montpellier, Teatro La Fenice, Opéra National de Lyon, Tiroler Festspiele Erl, La Folle Journée, Festival International de Piano de La Roque d’Anthéron, Conservatorio Giuseppe Verdi, Bologna Festival, Chopin Society (Minnesota), Portland Ovations, Musashino Cultural Foundation, and Tokyo Yamaha Hall.
As a soloist with orchestra, Liu appeared with the Vancouver Symphony, Calgary Philharmonic, Hawaii Symphony and Sinfonia Varsovia this past season, among others. Recent appearances have included performances with the Cleveland Orchestra, Orchestre National du Capitole de Toulouse, and Orchestre Philharmonique de Nice.
Previous recital highlights include performances at the Foundation Louis Vuitton, La Roque d’Anthéron, International Chopin Piano Festival at Duszniki Zdrój, International Chopin and His Europe Festival in Warsaw, Festival La Grange de Meslay, Place des Arts Montreal, National Theater and Concert Hall Taipei, and National Kaohsiung Center for the Arts-Weiwuying.
Born in Shanghai, Sophia Liu was raised in Japan until moving to Montreal at age 7 to study with Dang Thai Son. Liu has won various prizes at international piano competitions, including First Prize at the 18th Ettlingen International Piano Competition, First Prize at the Thomas & Evon Cooper International Competition, and various prizes at the first edition of the Arturo Benedetti Michelangeli International Piano Competition. In October 2025, Liu released her first studio album of solo piano, featuring Liszt’s Réminiscences de Norma and Chopin’s Andante spianato et Grande Polonaise.
